Chris Conidis Artist, Author, Screenwriter
Chris Conidis is a versatile writer, filmmaker, and improv performer with a career spanning over two decades. His work includes satire, social commentary, and dark humor, often exploring themes like societal critique, futurism, and absurdity.
Writer and former artist, Chris Conidis is back at it, in the latest work-in-progress, “Progress City,” a sharp satire that takes a deep, comical dive into society’s love affair with “progress.” This new project, a sprawling parody of futurism and modern life, unpacks humanity’s journey from the cave to today’s social dilemmas. With his trademark humor, Conidis pokes fun at how every era has imagined the future—often with more confidence than accuracy—and how these visions have both shaped and clashed with reality.
Introducing Progress City – A Satirical Journey Through Our Obsession with "Advancement"
This sprawling parody of futurism and modern life peels back the layers of our societal quirks, from our earliest beginnings to the complex dilemmas of today.
*Progress City* invites us to reflect on what it really means to move forward—and at what cost.
Check out the official press release for more insights into the inspiration behind this project: [Read here)
Let me know what you think about this satirical dive into the future and our present!
https://www.crunchbase.com/person/chris-conidis-adaa
#ProgressCity #Satire #Futurism #SocialCommentary #ChrisConidis
Chris Conidis: The Time-Traveling Master of Mediocrity
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Chris Conidis sprinkles in some historical trivia, and tears apart pop culture like a kid with a piñata. Ever wonder what it takes to be an expert in absolutely nothing? Look no further. Known for his ability to leave no trace in the annals of history, He is a distinguished master of “meh.” While some aim for fame, he is content on being the unsung hero of mediocre pursuits, championing the art of sarcastic observation and the pursuit of temperate achievements.He’s not here to change the world…He is just here to rearrange the deck chairs while the ship goes down...
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Born in the depths of prehistoric humanity—probably while someone was inventing the wheel—Conidis started his career as a caveman, slowly chiseling away at rocks and cracking his first sarcastic comment. Back then, there were no influencers, just basic survival and the occasional woolly mammoth scare. Conidis was ahead of his time, the original social media pioneer—drawing stick figures on cave walls to the disinterest of any Neanderthal within a 10-mile radius. No followers, no problem.
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As time ticked on and human history fumbled its way forward, Conidis stayed in the mix, dodging plagues, bad haircuts, and even worse fashion trends (seriously, tunics?) with the same finesse he now uses to avoid online trolls. While everyone else was busy building empires, he was busy telling Socrates, “Hey, man, why not take a break and just chill? You’re overthinking this whole philosophy thing.” Of course, his toga party ideas didn't exactly take off, and his critique of democracy was something like: “Yeah, democracy... or should I say, Demo-Crazy?”
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Conidis gave the Egyptians a hand in designing the pyramids, suggesting, “Have you thought about making them triangle-shaped? I mean, it’s just an idea.” Fast forward to the Dark Ages—Conidis was there too, trying to make fire jokes, but the crowd just wasn’t ready. #TooSoon.
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Then came the Renaissance—oh, what a time to be alive! Conidis was rubbing elbows with Da Vinci, telling him, “Ever thought about, like, flying or something?” and witnessing revolutions unfold, many of which he considered “way too dramatic.” He dodged cannonballs in the French Revolution like it was no big deal and spent a good amount of time roasting Napoleon’s height—"You're really that short in person?" Classic Conidis.
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And then, just when you thought the madness couldn’t get any worse... enter the modern era. Selfies, hashtags, and TikTok dances. Conidis, still sporting a confused look from the previous century, couldn’t believe it. “Wait, so we went from inventing fire to lip-syncing to pop songs on a tiny screen? How did I miss that memo?” he wondered aloud.
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Today, he spends his days in utter bewilderment, watching humanity become obsessed with filters, likes, and viral nonsense. "Cave paintings at least had some culture," he quips. A seasoned time traveler, Conidis is still trying to figure out how the human race went from inventing the wheel to... unboxing videos. Through it all, Conidis remains a witness to the spectacle—armed with sarcasm sharper than a medieval sword and a humor that has survived and roasted the ages.
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https://www.crunchbase.com/person/chris-conidis-adaa
https://www.chrisconidisflorida.com/
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The Cult of the Dead Mouse: A Tale of Mickey Ear Mania
Ah, Disney World—the most magical place on Earth. Where else can you frolic through artificial lands, feast on $15 churros, and proudly parade around with what amounts to a mouse scalp on your head? Yes, the iconic Mickey Mouse ears—cultural symbol, tourist rite of passage, and possibly the strangest mass-purchase decision in human history.
Picture it: crowds of cheerful visitors, blissfully unaware, paying $29.99 (plus tax) for the privilege of wearing a pair of synthetic ears stapled to a plastic headband. That’s right, folks—they’re celebrating the decapitation of a beloved animated rodent.
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The Backstory Nobody Asked For
Legend has it that Mickey, the humble cartoon mouse, sold his soul to the Walt Disney Corporation for immortality. But even a mouse can’t escape capitalism. His likeness was replicated, manufactured, and eventually reduced to these ear hats—a sort of totem for the mouse-worshiping masses. Imagine if Simba fans wore lion pelts to honor him.
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A Dark Epiphany
But what if, one day, the truth dawns on the crowd? Imagine the horror when someone in Fantasyland suddenly realizes they’ve paid money to look like they skinned a beloved children’s character.
"I bought this for $50, and I’m wearing the top half of a dead mouse’s head!" screams Karen, clutching her sequined Minnie ears in existential despair. “Does this make me an accessory to murder?!”
Nearby, a dad with a Goofy visor pulls out his wallet to console her. “Don’t worry, honey. It’s not real. It’s just…corporate genius!” He turns to the castle and whispers, “Please don’t ban me, Disney.”
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The Merch Madness
But it doesn’t stop with Mickey ears. Oh no. Disney fans have proven they’ll slap their credit cards down for anything. Light-up ears for $10 more? SOLD. A Halloween-themed pair that look like Mickey’s ghost? “Take my money!” Limited-edition golden ears for the park’s anniversary? “I will trample three families to get them!”
Disney merch designers are the true wizards of this world. Somewhere in a backroom, they’re brainstorming the next absurd iteration:
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“Mickey Ears with Built-In Wi-Fi”
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“Figment Horns for the Edgy Millennials”
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“Haunted Mansion Mouse Antlers” (for the moody teens)
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A Collective Denial
Back in the park, a small crowd gathers around Karen as she cradles her ears, staring into the void. “Why do we do this? Why do we throw away money to look like…like…a cartoon graveyard?!”
Her husband nods solemnly. “It’s not just the ears. Yesterday, I spent $80 on a popcorn bucket shaped like Buzz Lightyear’s head. And I was PROUD OF IT!”
The crowd gasps. A woman holding a $40 Dole Whip in a souvenir Tiki cup starts sobbing. "Oh my gosh…we’ve all been fooled. We’ve been cult members this whole time!"
But then, in the distance, the Magical Disney Marketing Voice™ echoes through the speakers. “Don’t think of them as dead mouse scalps. Think of them as…pixie dust for your soul.”
The group blinks. A beat passes. Someone quietly puts the ears back on.
Karen sighs. “Well, they are kinda cute.”
Her husband shrugs. “And, you know, the kids love them…”
Within minutes, the existential crisis fades, replaced by cheerful chatter and lines for churros. After all, it’s hard to argue with magic—especially when it costs $29.99.
And so, the Cult of the Dead Mouse marches on, ears high, wallets empty, and dreams unbroken.