

Improv in Toronto – Summer 2025
I’ll be running improv workshops in Toronto this summer. If you’ve taken classes before, reach out to me directly.
A six-week performance program is in the works — contact RJ or me for details.
More sessions are likely this Christmas in both Toronto and Chicago.
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Connect with me or RJ here:
linkedin.com/in/chrisconidis
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#ChrisConidis #ImprovToronto #TorontoImprovWorkshops #ImprovTraining #UCBAlum #ComedyWorkshops #ActorLife #TorontoPerformer #ChicagoImprov #SaintCloudFL


Chris Conidis is a writer, filmmaker, performer, and satirist based in Saint Cloud, Florida.
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Writer · Filmmaker · Improv Performer Ar
tist
Welcome to the Official Website of Chris Conidis
​About
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Chris Conidis is a writer, filmmaker, and improv performer with over two decades of experience in satire, social commentary, and dark humor based in Saint Cloud, Florida. Beginning his career creating media and show scripts for Universal Studios and Walt Disney World, he honed his talent for immersive storytelling and guest experiences.
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As founder of Elios Entertainment, Chris has produced animations, short films, and creative projects across sci-fi, horror, and comedy genres. A seasoned improv artist, he has performed and trained with UCB and Second City Alumni. His books, including Toolmaker, Return to Adam’s Earth, and The Magician’s Code, showcase his knack for blending storytelling with sharp social critiques.
An award-winning creator, Chris regularly conducts improv and writing workshops and also explores visual narrative while mentoring aspiring creative artists. Beyond his professional work, he explores interests in filmmaking, animation, magic, and evolutionary biology, all with his trademark wit and humor that has captivated audiences everywhere.




This July, I’m back coaching improv classes in Toronto. If you’ve already taken classes with me or RJ feel free to reach out and reconnect. New? Shoot me a DM—I’ll send you the sign-up info- thanks!
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Chris Conidis Facebook Page here:
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Featured Media & Profiles
🔗 CEOWORLD Magazine – The Power of Storytelling
🔗 IdeaMensch Interview – On Structure & Creative Rhythm
🔗 Medium – Stories, Scripts, Essays
🔗 Official Facebook Page
Latest Projects
📖 The Mirror at the End of the Lane
A haunting modern folktale set in the town of Willowend, where an antique mirror reflects not only the viewer—but their fate. Read on Medium →
Progress City
A satire of technology, ambition, and societal blind spots. From cavemen to influencers, this project explores humanity’s obsession with “the future” through humor, history, and harsh truths.
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SPOL: Society for the Preservation of Laughter
In a world where humor is outlawed, underground comedians become the last resistance. A live-action and animation hybrid exploring censorship, creativity, and the fight to laugh freely.
Upcoming Events
🎤Improv Workshops – Summer 2025, Toronto
Returning this July for group and private sessions. Beginners welcome. Contact Chris for schedule and sign-up.
Contact & Links



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Hitchcock: Master of suspense, but also the guy who made you question whether or not your mother actually loves you

The Cult of the Dead Mouse: A Tale of Mickey Ear Mania

Ah, Disney World—the most magical place on Earth. Where else can you frolic through artificial lands, feast on $15 churros, and proudly parade around with what amounts to a mouse scalp on your head? Yes, the iconic Mickey Mouse ears—cultural symbol, tourist rite of passage, and possibly the strangest mass-purchase decision in human history.
Picture it: crowds of cheerful visitors, blissfully unaware, paying $29.99 (plus tax) for the privilege of wearing a pair of synthetic ears stapled to a plastic headband. That’s right, folks—they’re celebrating the decapitation of a beloved animated rodent.
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The Backstory Nobody Asked For
Legend has it that Mickey, the humble cartoon mouse, sold his soul to the Walt Disney Corporation for immortality. But even a mouse can’t escape capitalism. His likeness was replicated, manufactured, and eventually reduced to these ear hats—a sort of totem for the mouse-worshiping masses. Imagine if Simba fans wore lion pelts to honor him.
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A Dark Epiphany
But what if, one day, the truth dawns on the crowd? Imagine the horror when someone in Fantasyland suddenly realizes they’ve paid money to look like they skinned a beloved children’s character.
"I bought this for $50, and I’m wearing the top half of a dead mouse’s head!" screams Karen, clutching her sequined Minnie ears in existential despair. “Does this make me an accessory to murder?!”
Nearby, a dad with a Goofy visor pulls out his wallet to console her. “Don’t worry, honey. It’s not real. It’s just…corporate genius!” He turns to the castle and whispers, “Please don’t ban me, Disney.”
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The Merch Madness
But it doesn’t stop with Mickey ears. Oh no. Disney fans have proven they’ll slap their credit cards down for anything. Light-up ears for $10 more? SOLD. A Halloween-themed pair that look like Mickey’s ghost? “Take my money!” Limited-edition golden ears for the park’s anniversary? “I will trample three families to get them!”
Disney merch designers are the true wizards of this world. Somewhere in a backroom, they’re brainstorming the next absurd iteration:
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“Mickey Ears with Built-In Wi-Fi”
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“Figment Horns for the Edgy Millennials”
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“Haunted Mansion Mouse Antlers” (for the moody teens)
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A Collective Denial
Back in the park, a small crowd gathers around Karen as she cradles her ears, staring into the void. “Why do we do this? Why do we throw away money to look like…like…a cartoon graveyard?!”
Her husband nods solemnly. “It’s not just the ears. Yesterday, I spent $80 on a popcorn bucket shaped like Buzz Lightyear’s head. And I was PROUD OF IT!”
The crowd gasps. A woman holding a $40 Dole Whip in a souvenir Tiki cup starts sobbing. "Oh my gosh…we’ve all been fooled. We’ve been cult members this whole time!"
But then, in the distance, the Magical Disney Marketing Voice™ echoes through the speakers. “Don’t think of them as dead mouse scalps. Think of them as…pixie dust for your soul.”
The group blinks. A beat passes. Someone quietly puts the ears back on.
Karen sighs. “Well, they are kinda cute.”
Her husband shrugs. “And, you know, the kids love them…”
Within minutes, the existential crisis fades, replaced by cheerful chatter and lines for churros. After all, it’s hard to argue with magic—especially when it costs $29.99.
And so, the Cult of the Dead Mouse marches on, ears high, wallets empty, and dreams unbroken.