
​
Welcome to the Official Chris Conidis Website.
Explore Chris Conidis’s latest short stories and screenplays.
"Chris Conidis – Writer, Filmmaker, Improv Performer Official Website"
Chris Conidis is a versatile writer, filmmaker, and improv performer with a career spanning over two decades. His work includes satire, social commentary, and dark humor, often exploring themes like societal critique, futurism, and absurdity.
​​
​​






Check Out Medium Content here:
This July, I’m back coaching improv classes in Toronto. If you’ve already taken classes with me or RJ feel free to reach out and reconnect. New? Shoot me a DM—I’ll send you the sign-up info- thanks!
CHRIS CONIDIS
Storyteller, Creator, and Performer in St. Cloud, Florida

Storytelling isn't fluff—it's fuel.
In CEOWORLD Magazine, Chris Conidis explores how great leaders use storytelling to inspire action, shape brand identity, and build lasting trust.
Your data needs a voice. That voice is your story.
Read now on CEOWORLD.biz:
​
https://ceoworld.biz/2024/11/28/chris-conidis-how-does-storytelling-shape-success/#google_vignette
Chris Conidis: How Does Storytelling Shape Success?
#Leadership #ChrisConidis #Storytelling #BusinessStrategy #CEOWORLD #NarrativePower

The Mirror at the End of the Lane by Chris Conidis is a haunting tale that delves deep into the truths we often avoid. In the eerie town of Willowend, a mysterious mirror reflects not just faces but the unspoken secrets and moral cracks that define its inhabitants. Edgar Plumb, a young boy seeking a momentary escape, discovers just how far the mirror’s gaze reaches — and the unsettling truth about his own future.
This story explores the consequences of pretense and the uncomfortable reality that we all try to avoid. A perfect reminder of the importance of confronting our truths before they confront us.
Read the full story here: The Mirror at the End of the Lane
https://medium.com/@chris-conidis/chris-conidis-the-mirror-at-the-end-of-the-lane-c68a5ad96dd8


Genre: Horror / Dark Fantasy
A cycle of dark tales connected by objects, omens, and the strange forces that carry them across generations. Each story stands alone yet echoes another—woven by unseen hands and bound by fear, fate, and forgotten pacts. Gothic-modern in aesthetic, rich in mood and myth.
​




Hitchcock: Master of suspense, but also the guy who made you question whether or not your mother actually loves you
Dark Comedy DNA: Why Satirists Owe a Drink to Hitchcock, Serling, and Chaplin.
I’ve been rewatching Hitchcock, not for suspense—but for stillness. For his intros as satire - there’s something about a man in a tight frame, doing absolutely nothing, that feels louder than screams. I’m chasing that tension in silence for my own projects lately. Still frames, breath between lines, paranoia with no soundtrack.
Read the articles
here and on Medium

​​
Chris Conidis Unveils “Progress City”: A Satirical Take on Futurism and Modern Life
​
“Progress City,” a sharp satire that takes a deep, comical dive into society’s love affair with “progress.” This new project, a sprawling parody of futurism and modern life, unpacks humanity’s journey from the cave to today’s social dilemmas. With his trademark humor, Conidis pokes fun at how every era has imagined the future—often with more confidence than accuracy—and how these visions have both shaped and clashed with reality.
​
In “Progress City,” Conidis explores humanity’s attempts at advancing, for better or worse, across a variety of eras, from our early ancestors’ first discovery of fire to the contemporary pursuit of “likes” and “followers.” He calls it “a humorous archaeological dig through the fossil record of our ambitions,” and each chapter pulls no punches. Rather than romanticizing humanity’s progress, Conidis tackles the myths and follies of each era with a critical, entertaining eye.
​
“The funny thing about the future,” Conidis says, “is that every generation thinks they’re the first to figure it out. We’re not all that different from cavemen—we just swapped campfire storytelling for scrolling and status updates.” His approach is part critique, part stand-up comedy routine, and all satire, painting a portrait of human nature as it has evolved—technologically, if not always intellectually.
​
In the spirit of Conidis’s previous works, “Progress City” doesn’t merely poke fun at the past and present; it asks readers to reflect on the direction we’re heading. “We’re in an age where tech rules our lives, but we still don’t know what to do with our hands when we take a photo,” he jokes. “Progress has made us smarter on paper, but when it comes to common sense, well… let’s just say it might still be in beta testing.” These observations reveal the hilarious contradictions between our advanced tools and the often unchanged human instincts that wield them.
​
One central theme of “Progress City” is how humanity’s constant push for the “next big thing” sometimes results in absurdity. “Every few centuries, someone invents something that they swear will change the world—stone tools, steam engines, social media algorithms—and yet here we are, still figuring out how to get along.” Conidis believes that the project will resonate with audiences who can relate to the idea of progress that somehow always leaves us wanting more.
​
He takes aim at today’s obsession with technology as well, particularly the ways we measure success and fulfillment in digital terms. “In caveman days, your status symbol was the biggest piece of mammoth meat. Today, it’s your follower count. Either way, it’s about who’s got the biggest… following,” he quips. “Progress City” explores how these primitive instincts have evolved—or haven’t—despite our sophisticated new toys.
Conidis’s audience will find that “Progress City” is as much a mirror as it is a comedy. By setting today’s achievements alongside the feats of ancient societies, he paints a comedic picture of the ways we repeat old patterns even as we think we’re blazing new trails. “If we’re so futuristic, why do we still find ourselves in traffic jams?” he jokes. “If the cavemen could see us now, they’d probably just laugh.”
Chris Conidis continues to delight audiences by dissecting society’s quirks with a refreshing sense of humor, proving that comedy can be a powerful tool for reflection. “Progress City” promises to be an enlightening, entertaining journey through the timeline of human aspirations, inviting readers to laugh at how much we’ve changed—and how much we haven’t.
PROGRESS CITY ROME 2.0
Progress City: Rome All Over Again
Welcome, ladies & gentlemen, to Progress City, the gleaming metropolis of the future—or, as we like to call it, Rome 2.0, now with more Wi-Fi and less philosophy. Yes, behold the triumph of modern civilization, where we’ve achieved the impossible: building a fragile house of cards on top of the ashes of every lesson history tried to teach us.
​
Progress City is an architectural marvel, a skyline littered with glass boxes of indeterminate purpose, each competing to see which can reflect the most sunlight directly into your retinas. You’ve got your office buildings, your overpriced condos, and your mega shopping malls, each more soulless than the last, all bathed in the warm glow of digital billboards advertising things you can’t afford but will buy anyway because, hey, we’ve all got credit cards. That’s progress.
​
​
But what makes Progress City truly remarkable is not the buildings—it’s the people. Here, we’ve perfected the art of the hustle. From dawn to dusk, its citizens race like hamsters on a wheel, pursuing the elusive dream of "getting ahead." And what a dream it is! You can climb your way to the top of the corporate ladder, where your reward is a bigger cubicle and a slightly less condescending email from your boss.
​
The social fabric of Progress City is woven together with threads of digital detachment. Sure, the Romans had the Forum, where citizens gathered to debate politics and philosophy, but why waste time talking to people when you can swipe right or left, double-tap, or post a story about your avocado toast? In Progress City, our public square is a virtual echo chamber where everyone’s voice is loud, but no one’s listening.
Democracy 2.0—now with fewer ideals and more memes!
​
Speaking of democracy, let’s not forget our beloved leaders in Progress City. No longer do we have emperors draped in togas; now we have politicians draped in ambiguity, their promises as empty as the parking lot outside a Blockbuster. These leaders have mastered the fine art of saying nothing while smiling like they just discovered a tax loophole. They don’t build roads or fix infrastructure, but by God, do they know how to cut ribbons at grand openings.
​
And what about the plebeians? The everyday folk? Well, fret not! In Progress City, you can achieve anything you set your mind to—if by "anything," you mean working three jobs to afford rent in a studio apartment that’s smaller than a Roman chariot. The ancient Romans had bread and circuses to keep the masses happy, but here in Progress City, we have Netflix and fast food—keeping you entertained and fed without ever leaving your couch, just as Caesar intended.
​
Urban planning in Progress City is truly a stroke of genius. The traffic is designed to flow as smoothly as molasses in January, with highways that offer the authentic experience of being trapped in a time loop, forever late to work but never quite arriving. Our public transport system is a marvel of modern inefficiency, where every ride is a journey into the unknown—will the train arrive on time, or will you experience a breakdown of epic proportions? It’s like a gladiator fight between your patience and reality, and reality always wins.
​
But what truly sets Progress City apart is its obsession with progress for the sake of progress. We’ve created more apps than diseases, and more fast fashion than fresh air. The environment? Oh, we’ve left that in the capable hands of the next generation—after all, it’s their problem now. While the Romans drained their resources to build aqueducts, we drain ours for Bitcoin farms and influencer mansions. If that’s not progress, I don’t know what is.
​
Of course, no satire of modern civilization would be complete without mentioning our culture of success. Success in Progress City is measured not by wisdom or character, but by how many followers you have on social media. Forget Socrates and his "unexamined life"; here, the only life worth living is the one that can be curated, filtered, and shared for maximum likes. Everyone’s an emperor in their own digital empire, ruling over a domain of selfies, hashtags, and fake inspirational quotes.
​
In the end, Progress City isn’t just a city—it’s a state of mind. It’s the modern Rome, complete with collapsing institutions, overworked citizens, and a leadership class more concerned with their next PR stunt than with actual progress. But don’t worry, just like Rome, we’re invincible, right? The cracks in the foundation are purely aesthetic, and the barbarians at the gates? They’ve probably just come to check out the new artisanal coffee shop.
​
So let us raise a glass—to Progress City, where the future looks just like the past, only with better marketing and worse weather. And remember, when in Rome—sorry, I mean, Progress City—do as the endlessly scrolling, increasingly indifferent citizens do: Keep your head down, your Wi-Fi connected, and your existential dread safely repressed.
That’s progress for you.