Chris Conidis Artist, Author, Screenwriter
Chris Conidis is a versatile writer, filmmaker, and improv performer with a career spanning over two decades. His work includes satire, social commentary, and dark humor, often exploring themes like societal critique, futurism, and absurdity.
Writer and former artist, Chris Conidis is back at it, in the latest work-in-progress, “Progress City,” a sharp satire that takes a deep, comical dive into society’s love affair with “progress.” This new project, a sprawling parody of futurism and modern life, unpacks humanity’s journey from the cave to today’s social dilemmas. With his trademark humor, Conidis pokes fun at how every era has imagined the future—often with more confidence than accuracy—and how these visions have both shaped and clashed with reality.
Introducing Progress City – A Satirical Journey Through Our Obsession with "Advancement"
This sprawling parody of futurism and modern life peels back the layers of our societal quirks, from our earliest beginnings to the complex dilemmas of today.
*Progress City* invites us to reflect on what it really means to move forward—and at what cost.
Check out the official press release for more insights into the inspiration behind this project: [Read here)
Let me know what you think about this satirical dive into the future and our present!
https://www.crunchbase.com/person/chris-conidis-adaa
#ProgressCity #Satire #Futurism #SocialCommentary #ChrisConidis
Chris Conidis: The Time-Traveling Master of Mediocrity
Chris Conidis sprinkles in some historical trivia, and tears apart pop culture like a kid with a piñata. Ever wonder what it takes to be an expert in absolutely nothing? Look no further. Known for his ability to leave no trace in the annals of history, He is a distinguished master of “meh.” While some aim for fame, he is content on being the unsung hero of mediocre pursuits, championing the art of sarcastic observation and the pursuit of temperate achievements.He’s not here to change the world…He is just here to rearrange the deck chairs while the ship goes down...
Born in the depths of prehistoric humanity—probably while someone was inventing the wheel—Conidis started his career as a caveman, slowly chiseling away at rocks and cracking his first sarcastic comment. Back then, there were no influencers, just basic survival and the occasional woolly mammoth scare. Conidis was ahead of his time, the original social media pioneer—drawing stick figures on cave walls to the disinterest of any Neanderthal within a 10-mile radius. No followers, no problem.
As time ticked on and human history fumbled its way forward, Conidis stayed in the mix, dodging plagues, bad haircuts, and even worse fashion trends (seriously, tunics?) with the same finesse he now uses to avoid online trolls. While everyone else was busy building empires, he was busy telling Socrates, “Hey, man, why not take a break and just chill? You’re overthinking this whole philosophy thing.” Of course, his toga party ideas didn't exactly take off, and his critique of democracy was something like: “Yeah, democracy... or should I say, Demo-Crazy?”
Conidis gave the Egyptians a hand in designing the pyramids, suggesting, “Have you thought about making them triangle-shaped? I mean, it’s just an idea.” Fast forward to the Dark Ages—Conidis was there too, trying to make fire jokes, but the crowd just wasn’t ready. #TooSoon.
Then came the Renaissance—oh, what a time to be alive! Conidis was rubbing elbows with Da Vinci, telling him, “Ever thought about, like, flying or something?” and witnessing revolutions unfold, many of which he considered “way too dramatic.” He dodged cannonballs in the French Revolution like it was no big deal and spent a good amount of time roasting Napoleon’s height—"You're really that short in person?" Classic Conidis.
And then, just when you thought the madness couldn’t get any worse... enter the modern era. Selfies, hashtags, and TikTok dances. Conidis, still sporting a confused look from the previous century, couldn’t believe it. “Wait, so we went from inventing fire to lip-syncing to pop songs on a tiny screen? How did I miss that memo?” he wondered aloud.
Today, he spends his days in utter bewilderment, watching humanity become obsessed with filters, likes, and viral nonsense. "Cave paintings at least had some culture," he quips. A seasoned time traveler, Conidis is still trying to figure out how the human race went from inventing the wheel to... unboxing videos. Through it all, Conidis remains a witness to the spectacle—armed with sarcasm sharper than a medieval sword and a humor that has survived and roasted the ages.
https://www.crunchbase.com/person/chris-conidis-adaa
https://www.chrisconidisflorida.com/
Me, Myself, and Mom: The Solo Family Man’s Guide to DIY Parenting / CHRIS CONIDIS
In the peculiar little town of Brambleton, where the lines between eccentricity and outright oddity were comfortably blurred, lived a man who had achieved a feat no one thought possible: he had become his own family. Eugenius Fortescue was not merely a man; he was his own mother, his own father, and, on occasion, his own well-meaning but mildly irritating uncle. It was a solo family effort, and Eugenius proudly claimed it as his greatest accomplishment.
In that small, thoroughlybaffled town somewhere out there, resided Mr. Eugenius Fortescue, the man who, remarkably, had managed to become both his own mother and father. Eugenius—known to himself, by himself, as “Mom” and “Dad” respectively—was the ultimate family man, occupying every role in his lineage with the kind of meticulousness only possible when you have no one else to blame.
He spent his mornings preparing breakfast as Father, sternly reminding himself to “chew with your mouth closed” and “stop playing with your food.” Switching seamlessly, he would then scold himself as Mother, concerned he was skipping on his vegetables and eating “like he was raised in a barn.” Eugenius had perfected this routine, alternating seamlessly between critical parental monologues and self-defensive rebuttals, giving the impression of a well-rounded family meal, sans family.
His childhood had been simple enough, although fraught with the existential crisis of realizing that he had never actually been born. He didn’t quite remember being born because, well, he hadn’t been. Eugenius had simply always been, like a self-invented parable, or one of those vague family myths about “a relative who’s technically also a distant cousin.” As he grew older, he somehow became aware he was his own mother, yet equally perplexed at how he could also be his own father—a conundrum that took years of self-imposed parental counseling to understand, if not accept.
From a young age, Eugenius had been a self-starter. Raised by no one but himself—no parents, no grandparents, no meddling relatives—he’d therefore decided early on that he would be the family he’d never had. He’d be his own role model, his own support system, and his own disciplinarian. This, he was convinced, was the ultimate DIY project: family, made from scratch, with no guidance but his own imagination.
Morning Routines in the Solo Household
Each morning, Eugenius’s day began with a symphony of self-imposed roles. As “Dad,” he’d stride into the kitchen, brewing coffee so dark and bitter it practically dared him to drink it. He’d mutter about “the good old days” when coffee was brewed in percolators and scoff at the idea of cappuccinos or “those fancy lattes.”
Then “Mom” Eugenius would take over, promptly adding a splash of oat milk to the brew and fussing over his health. “You know you shouldn’t drink it black, dear,” he’d say to himself, “Remember your stomach.” He’d then toast some bread and insist on spreading avocado on it, commenting that it was full of “good fats.” This often led to an argument between Mom and Dad about the price of avocados and the state of the economy.
Once breakfast was over, Eugenius would move on to life lessons, balancing tough love with gentle guidance. As Dad, he’d give himself a pep talk, saying, “You’ve got to toughen up, Eugenius. The world won’t hold your hand.” But then Mom would jump in, softly reminding him, “It’s okay to be sensitive, dear. Sensitivity is strength.” This would go on until he finished his coffee, at which point all sides of him agreed that it was time to leave the house and face the world.
The Solo Family Man Takes on the Town
Brambleton was used to Eugenius’s oddities, though they had grown fond of him as a sort of town mascot. Children would giggle as they watched him at the grocery store, holding animated debates with himself over the price of pasta or whether he really needed that pint of ice cream. He’d scold himself in the canned goods aisle, saying, “No sugary snacks today!” only to whisper conspiratorially to himself, “But a little treat never hurt anyone, did it?”
There was a kind of charm in his daily performances; to see Eugenius switch seamlessly from Mom to Dad, from doting caretaker to pragmatic taskmaster, was like watching a one-man sitcom. Passersby marveled at his dedication to his “family,” curious if he really believed in these personas or if it was just an elaborate act. Yet, as far as anyone could tell, Eugenius was deeply committed. To him, each role was real, each perspective necessary, as though he were fulfilling a duty not to others but to some internal code of conduct.
Holidays, Celebrations, and Existential Crises
As the Solo Family Man, Eugenius celebrated every holiday with meticulous care, creating traditions no one else would ever know. On Mother’s Day, he’d treat himself to a box of chocolates, curling up in a soft sweater and congratulating himself for his “years of unconditional love.” On Father’s Day, he’d pull out an old razor, attempt a clean shave, and remark wistfully on how proud he was of himself for being such a strong, dependable father figure. It was, in his mind, a ritual of self-affirmation—a way to keep the family he’d invented alive and well.
Yet, as the years rolled by, there were cracks in the grand illusion. Though he’d never say it aloud, Eugenius sometimes wondered what it would be like to have a family that wasn’t conjured from his own imagination. He’d sit at his dinner table, engaging in lively conversations with himself, only to pause, spoon mid-air, feeling the quiet creep into the edges of his thoughts.
One late autumn evening, after a long day of lecturing himself on the importance of sensible shoes and hearty meals, Eugenius found himself sitting in silence, staring into a mirror. His eyes traced the familiar lines of his face—the crow’s feet at the corners, the slight graying at his temples. For a moment, he felt a pang of something he didn’t quite recognize. It wasn’t loneliness, exactly, nor was it sadness. It was something quieter, something that didn’t fit neatly into the roles he’d crafted.
He leaned in, his gaze fixed on his own reflection, and tried to summon one of his usual voices. “Mom,” he whispered, hoping for a reassuring response. But the voice didn’t come. “Dad?” he tried, but again, nothing. There was only the face in the mirror, a man he knew all too well yet, in this strange moment, hardly recognized.
And then, almost involuntarily, he laughed—a soft, weary chuckle that seemed to echo in the quiet room. The laughter felt unfamiliar, not tied to any particular role, not tethered to any character he’d created. It was just Eugenius, laughing at himself, at the sheer absurdity of his life’s grand experiment.
As he looked around his small, cozy apartment, filled with mementos and trinkets that only he understood, he felt a sudden, unspoken invitation. There was a world outside, a life beyond the roles he’d worked so hard to maintain. He didn’t have to be “Mom” or “Dad” or even “The Solo Family Man.” Maybe, he thought, for the first time, he could simply be Eugenius—a man still figuring out who that was.
He rose from his chair, his reflection still watching him from the mirror. He took a deep breath, feeling a strange mix of anticipation and fear. It was like stepping into the unknown, but somehow, it felt right. He didn’t need the roles anymore, didn’t need the scripted conversations. He only needed himself, ready to face the world without the weight of his own invention.
And for once, that felt like more than enough.