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Welcome to the Official Chris Conidis Website.
Explore Chris Conidis’s latest short stories and screenplays.
Chris Conidis is a versatile artist, writer, author and performer celebrated for his inventive blend of improv comedy, horror, fantasy, parody, and satire. A proud UCB and City alumnus, he brings a sharp, distinctive voice to everything he creates, captivating audiences with his clever wit and imaginative storytelling.
Chris Conidis – Writer, Filmmaker, Improv Performer Official Website
Chris Conidis is a versatile writer, filmmaker, and improv performer with a career spanning over two decades. His work includes satire, social commentary, and dark humor, often exploring themes like societal critique, futurism, and absurdity.
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CHRIS CONIDIS
Storyteller, Creator, and Performer in St. Cloud, Florida

This July, I’m back coaching improv classes in Toronto. If you’ve already taken classes with me or RJ feel free to reach out and reconnect. New? Shoot me a DM—I’ll send you the sign-up info- thanks!
Check Out Medium Content here:

Your Foot Print Has Been Logged



Storytelling isn't fluff—it's fuel.
In CEOWORLD Magazine, Chris Conidis explores how great leaders use storytelling to inspire action, shape brand identity, and build lasting trust.
Your data needs a voice. That voice is your story.
Read now on CEOWORLD.biz:
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https://ceoworld.biz/2024/11/28/chris-conidis-how-does-storytelling-shape-success/#google_vignette
Chris Conidis: How Does Storytelling Shape Success?
#Leadership #ChrisConidis #Storytelling #BusinessStrategy #CEOWORLD #NarrativePower


The Mirror at the End of the Lane by Chris Conidis is a haunting tale that delves deep into the truths we often avoid. In the eerie town of Willowend, a mysterious mirror reflects not just faces but the unspoken secrets and moral cracks that define its inhabitants. Edgar Plumb, a young boy seeking a momentary escape, discovers just how far the mirror’s gaze reaches — and the unsettling truth about his own future.
This story explores the consequences of pretense and the uncomfortable reality that we all try to avoid. A perfect reminder of the importance of confronting our truths before they confront us.
Read the full story here: The Mirror at the End of the Lane
https://medium.com/@chris-conidis/chris-conidis-the-mirror-at-the-end-of-the-lane-c68a5ad96dd8


Genre: Horror / Dark Fantasy
A cycle of dark tales connected by objects, omens, and the strange forces that carry them across generations. Each story stands alone yet echoes another—woven by unseen hands and bound by fear, fate, and forgotten pacts. Gothic-modern in aesthetic, rich in mood and myth.
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Hitchcock: Master of suspense, but also the guy who made you question whether or not your mother actually loves you
Dark Comedy DNA: Why Satirists Owe a Drink to Hitchcock, Serling, and Chaplin.
I’ve been rewatching Hitchcock, not for suspense—but for stillness. For his intros as satire - there’s something about a man in a tight frame, doing absolutely nothing, that feels louder than screams. I’m chasing that tension in silence for my own projects lately. Still frames, breath between lines, paranoia with no soundtrack.
Read the articles
here and on Medium

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Chris Conidis Unveils “Progress City”: A Satirical Take on Futurism and Modern Life
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“Progress City,” a sharp satire that takes a deep, comical dive into society’s love affair with “progress.” This new project, a sprawling parody of futurism and modern life, unpacks humanity’s journey from the cave to today’s social dilemmas. With his trademark humor, Conidis pokes fun at how every era has imagined the future—often with more confidence than accuracy—and how these visions have both shaped and clashed with reality.
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In “Progress City,” Conidis explores humanity’s attempts at advancing, for better or worse, across a variety of eras, from our early ancestors’ first discovery of fire to the contemporary pursuit of “likes” and “followers.” He calls it “a humorous archaeological dig through the fossil record of our ambitions,” and each chapter pulls no punches. Rather than romanticizing humanity’s progress, Conidis tackles the myths and follies of each era with a critical, entertaining eye.
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“The funny thing about the future,” Conidis says, “is that every generation thinks they’re the first to figure it out. We’re not all that different from cavemen—we just swapped campfire storytelling for scrolling and status updates.” His approach is part critique, part stand-up comedy routine, and all satire, painting a portrait of human nature as it has evolved—technologically, if not always intellectually.
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In the spirit of Conidis’s previous works, “Progress City” doesn’t merely poke fun at the past and present; it asks readers to reflect on the direction we’re heading. “We’re in an age where tech rules our lives, but we still don’t know what to do with our hands when we take a photo,” he jokes. “Progress has made us smarter on paper, but when it comes to common sense, well… let’s just say it might still be in beta testing.” These observations reveal the hilarious contradictions between our advanced tools and the often unchanged human instincts that wield them.
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One central theme of “Progress City” is how humanity’s constant push for the “next big thing” sometimes results in absurdity. “Every few centuries, someone invents something that they swear will change the world—stone tools, steam engines, social media algorithms—and yet here we are, still figuring out how to get along.” Conidis believes that the project will resonate with audiences who can relate to the idea of progress that somehow always leaves us wanting more.
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He takes aim at today’s obsession with technology as well, particularly the ways we measure success and fulfillment in digital terms. “In caveman days, your status symbol was the biggest piece of mammoth meat. Today, it’s your follower count. Either way, it’s about who’s got the biggest… following,” he quips. “Progress City” explores how these primitive instincts have evolved—or haven’t—despite our sophisticated new toys.
Conidis’s audience will find that “Progress City” is as much a mirror as it is a comedy. By setting today’s achievements alongside the feats of ancient societies, he paints a comedic picture of the ways we repeat old patterns even as we think we’re blazing new trails. “If we’re so futuristic, why do we still find ourselves in traffic jams?” he jokes. “If the cavemen could see us now, they’d probably just laugh.”
Chris Conidis continues to delight audiences by dissecting society’s quirks with a refreshing sense of humor, proving that comedy can be a powerful tool for reflection. “Progress City” promises to be an enlightening, entertaining journey through the timeline of human aspirations, inviting readers to laugh at how much we’ve changed—and how much we haven’t.
Join SPOL: The Future of Laughter… If You Dare

Welcome to the underground. Here, in the shadows of HyperGrim City—formerly known as New York—the unthinkable is happening. A forbidden activity that society has deemed too dangerous, too volatile: laughter. And the only group daring enough to keep the last embers of comedy alive is SPOL, the Society for the Preservation of Laughter. Think of SPOL as a secret society meets prohibition-era speakeasy—but instead of bootleg gin, they deal in sarcasm, irony, and belly laughs.
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Join SPOL: The Future of Laughter… If You Dare
SPOL isn’t just a society; it’s a lifeline. The world aboveground has grown humorless, thanks to the Bureau of Social Maturity and its “Joy Accountability Initiative.” Most people haven’t cracked a smile in years, and witticisms have been driven deep into the underground, along with banned puns and the smuggling of contraband stand-up routines. So here we are: recruiting those who still remember that “joy” is more than just a sanitized word in the government’s vocabulary. You’ll need a SPOL Membership Card—a laugh-cess pass, if you will—to survive this humor drought.
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The “Goods” We Offer
Forget retail therapy. At SPOL, we have access to the real black-market contraband: jokes. But not just any jokes; we’re talking pure, unfiltered humor. Our suppliers risk everything to bring you the kind of wit that could get you locked up—or worse. Here’s a taste of what our members have access to:
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The Dad Joke Stash: Corny? Definitely. Illegal? You bet. These zingers are practically lethal. (“Want to hear a joke about construction? Sorry, I’m still working on it.”) They say laughter’s the best medicine, but these could kill you…with puns.
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Stand-Up Hits from the 2020s: Carefully preserved recordings of the golden era, before comedians were microchipped to prevent jokes with “disruptive potential.” Imagine hearing raw, unfiltered humor—the kind that used to make people laugh until they cried. Now, it’s pure outlaw stuff.
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Irony Injections: Delivered in discreet syringes, these “wit packs” are for emergencies only. They’ll get you through forced work meetings, socially engineered weddings, and government-mandated “cheer seminars.” Just one dose, and you’ll be rolling your eyes with an artful flair that says, “I remember when humor was dangerous.”
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The Roast Pack: For the members who prefer their humor served scalding. Access to high-grade satire scripts that include darkly humorous monologues, takedowns of public figures, and highly illegal caricatures. Membership Level 3 and up only.
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Exclusive Chuckle Chambers: Physical locations, hidden in basements or old garages, where members can share a joke or watch a banned skit. Laughter is always riskier in person, so the laughter “runners” check your ID twice. Some even bring “memory wipes” in case of emergency.
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Membership Tiers: Choose Your Risk Level
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Smirk Initiate: The entry level, for those dipping a toe into underground humor. Access to carefully vetted, non-offensive jokes you can mutter to yourself at work. Think light sarcasm, maybe a dad joke if you’re feeling dangerous. But, no eye contact.
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Chortle Acolyte: Mid-level membership. You’ll gain access to roasts, banned sketch comedy transcripts, and D-list sarcasm. Great for family gatherings where everyone talks politics but no one has an actual sense of humor.
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Laugh-Lover Elite: Advanced membership with access to physical Chuckle Chambers. Here, you’ll find full stand-up routines, rogue satire, and laugh tracks imported from regions untouched by the Bureau of Social Maturity. Warning: attending a live show risks spontaneous, uncontrollable laughter, which is punishable by compulsory “Mood Balancing” at government-run Rehabilitation Hubs.
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Giggle Guru (Honorary Status): Rare. Reserved for founding members and veteran jokesters who’ve endured years in the underground circuit. These folks have committed their lives to comedy and are rumored to have laughed out loud in a government building once. They operate in shadows, initiate new members, and perform “guerilla humor” acts on the streets to spread hope.
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How to Become a Member
Becoming a SPOL member isn’t like buying a coffee. You need a referral from a known “laughter sympathizer,” a signed affidavit declaring you haven’t laughed out loud in public in the last year (to avoid suspicion), and the right temperament. If you’re deemed worthy, you’ll get a secret knock pattern, an encrypted laugh-code, and instructions to visit a backroom in a “legal laugh-free” zone.
When you arrive, they’ll ask you to recite a simple joke. It’s a test to see if you can hold your own under pressure. “What’s brown and sticky?” Pause, take a breath, look over your shoulder. “A stick.” If the chuckle moderator nods, you’re in. You’ll be handed your membership card, engraved with the SPOL motto:
“Laugh only in darkness, lest the light find you.”
From that point on, you’re one of us. You’ll receive coded messages with locations for pop-up skit events, new puns, and encrypted files containing unfiltered sarcasm to store away for tough days. Remember, laughter is not just a privilege—it’s an act of rebellion.
So join us, if you dare, and experience the thrill of humor before it’s lost for go
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