
​
Welcome to the Official Chris Conidis Website.
Explore Chris Conidis’s latest short stories and screenplays.
Chris Conidis is a versatile artist, writer, author and performer celebrated for his inventive blend of improv comedy, horror, fantasy, parody, and satire. A proud UCB and City alumnus, he brings a sharp, distinctive voice to everything he creates, captivating audiences with his clever wit and imaginative storytelling.
Chris Conidis – Writer, Filmmaker, Improv Performer Official Website
Chris Conidis is a versatile writer, filmmaker, and improv performer with a career spanning over two decades. His work includes satire, social commentary, and dark humor, often exploring themes like societal critique, futurism, and absurdity.
​​
​​


CHRIS CONIDIS
Storyteller, Creator, and Performer in St. Cloud, Florida

This July, I’m back coaching improv classes in Toronto. If you’ve already taken classes with me or RJ feel free to reach out and reconnect. New? Shoot me a DM—I’ll send you the sign-up info- thanks!
Check Out Medium Content here:

Your Foot Print Has Been Logged



Storytelling isn't fluff—it's fuel.
In CEOWORLD Magazine, Chris Conidis explores how great leaders use storytelling to inspire action, shape brand identity, and build lasting trust.
Your data needs a voice. That voice is your story.
Read now on CEOWORLD.biz:
​
https://ceoworld.biz/2024/11/28/chris-conidis-how-does-storytelling-shape-success/#google_vignette
Chris Conidis: How Does Storytelling Shape Success?
#Leadership #ChrisConidis #Storytelling #BusinessStrategy #CEOWORLD #NarrativePower


The Mirror at the End of the Lane by Chris Conidis is a haunting tale that delves deep into the truths we often avoid. In the eerie town of Willowend, a mysterious mirror reflects not just faces but the unspoken secrets and moral cracks that define its inhabitants. Edgar Plumb, a young boy seeking a momentary escape, discovers just how far the mirror’s gaze reaches — and the unsettling truth about his own future.
This story explores the consequences of pretense and the uncomfortable reality that we all try to avoid. A perfect reminder of the importance of confronting our truths before they confront us.
Read the full story here: The Mirror at the End of the Lane
https://medium.com/@chris-conidis/chris-conidis-the-mirror-at-the-end-of-the-lane-c68a5ad96dd8


Genre: Horror / Dark Fantasy
A cycle of dark tales connected by objects, omens, and the strange forces that carry them across generations. Each story stands alone yet echoes another—woven by unseen hands and bound by fear, fate, and forgotten pacts. Gothic-modern in aesthetic, rich in mood and myth.
​




Hitchcock: Master of suspense, but also the guy who made you question whether or not your mother actually loves you
Dark Comedy DNA: Why Satirists Owe a Drink to Hitchcock, Serling, and Chaplin.
I’ve been rewatching Hitchcock, not for suspense—but for stillness. For his intros as satire - there’s something about a man in a tight frame, doing absolutely nothing, that feels louder than screams. I’m chasing that tension in silence for my own projects lately. Still frames, breath between lines, paranoia with no soundtrack.
Read the articles
here and on Medium

​​
Chris Conidis Unveils “Progress City”: A Satirical Take on Futurism and Modern Life
​
“Progress City,” a sharp satire that takes a deep, comical dive into society’s love affair with “progress.” This new project, a sprawling parody of futurism and modern life, unpacks humanity’s journey from the cave to today’s social dilemmas. With his trademark humor, Conidis pokes fun at how every era has imagined the future—often with more confidence than accuracy—and how these visions have both shaped and clashed with reality.
​
In “Progress City,” Conidis explores humanity’s attempts at advancing, for better or worse, across a variety of eras, from our early ancestors’ first discovery of fire to the contemporary pursuit of “likes” and “followers.” He calls it “a humorous archaeological dig through the fossil record of our ambitions,” and each chapter pulls no punches. Rather than romanticizing humanity’s progress, Conidis tackles the myths and follies of each era with a critical, entertaining eye.
​
“The funny thing about the future,” Conidis says, “is that every generation thinks they’re the first to figure it out. We’re not all that different from cavemen—we just swapped campfire storytelling for scrolling and status updates.” His approach is part critique, part stand-up comedy routine, and all satire, painting a portrait of human nature as it has evolved—technologically, if not always intellectually.
​
In the spirit of Conidis’s previous works, “Progress City” doesn’t merely poke fun at the past and present; it asks readers to reflect on the direction we’re heading. “We’re in an age where tech rules our lives, but we still don’t know what to do with our hands when we take a photo,” he jokes. “Progress has made us smarter on paper, but when it comes to common sense, well… let’s just say it might still be in beta testing.” These observations reveal the hilarious contradictions between our advanced tools and the often unchanged human instincts that wield them.
​
One central theme of “Progress City” is how humanity’s constant push for the “next big thing” sometimes results in absurdity. “Every few centuries, someone invents something that they swear will change the world—stone tools, steam engines, social media algorithms—and yet here we are, still figuring out how to get along.” Conidis believes that the project will resonate with audiences who can relate to the idea of progress that somehow always leaves us wanting more.
​
He takes aim at today’s obsession with technology as well, particularly the ways we measure success and fulfillment in digital terms. “In caveman days, your status symbol was the biggest piece of mammoth meat. Today, it’s your follower count. Either way, it’s about who’s got the biggest… following,” he quips. “Progress City” explores how these primitive instincts have evolved—or haven’t—despite our sophisticated new toys.
Conidis’s audience will find that “Progress City” is as much a mirror as it is a comedy. By setting today’s achievements alongside the feats of ancient societies, he paints a comedic picture of the ways we repeat old patterns even as we think we’re blazing new trails. “If we’re so futuristic, why do we still find ourselves in traffic jams?” he jokes. “If the cavemen could see us now, they’d probably just laugh.”
Chris Conidis continues to delight audiences by dissecting society’s quirks with a refreshing sense of humor, proving that comedy can be a powerful tool for reflection. “Progress City” promises to be an enlightening, entertaining journey through the timeline of human aspirations, inviting readers to laugh at how much we’ve changed—and how much we haven’t.
Welcome to Progress City: The Almighty Funtoken

Chris Conidis : Welcome to Progress City: The Almighty Funtoken
Welcome to Progress City: The Almighty Funtoken
Ladies and gentlemen, welcome to Progress City, where the motto is simple: “In Funtokens We Trust, and in Credit We Dream.” You’ve entered a city where the true ruler isn’t a mayor or a president—it’s the almighty Funtoken. The only thing that can buy you status, happiness, and a chance to look interesting at cocktail parties. Forget chasing dreams here; we only chase Funtokens.
Meet Our Hero: The Funtoken
Ah, the Funtoken. The grand symbol of our era. In Progress City, it’s not just something you earn, it’s something you worship. It’s the ultimate status symbol, the cure for all ills, and the root cause of all of them. Funtokens keep the lights on, the debt collectors at bay, and the coffee flowing—mostly because we’re all too busy working for more to notice the empty cup.
The Citizens of Progress City: True Believers
Here in Progress City, we’ve evolved. Our wallets are as sacred as our smartphones, and both are always within arm’s reach. In fact, your net worth here is directly proportional to your amount of Funtokens—so don’t even think about leaving home without checking your balance. It’s not just a score; it’s your entire identity.
We proudly live by the city’s creed: “Funtokens are Life, and We Are Its Devoted Followers.” The rituals are simple, yet sacred: Pay Day (aka, The Day of Rejoicing), Black Friday (The Annual Pilgrimage), and Tax Season (The Great Financial Reckoning).
A Guide to Progress City’s Core Values: The Gospel of Funtokens
1. Thou Shalt Flaunt Thy Funtokens. In Progress City, having money isn’t enough—you must show the world that you’ve got it. That’s why every condo here comes with a built-in, Instagrammable view. Not because the view is anything special—but because it’s the perfect backdrop to flaunt your latest Funtoken-funded indulgence. The new $6,000 fridge with a touchscreen that knows your dog's name? That’s not just a luxury, that’s an investment in your social media profile.
2. Debt: The New Path to Glory. Forget traditional American dreams like homeownership. Here, the new ambition is a line of credit so high that it’ll make the bank’s CEO look twice. Debt isn’t a burden here—it’s a lifestyle choice. Six-figure student loans are proudly worn like medals, a symbol of your determination to look successful while figuring out how to pay rent.
A Moment of Reflection: The Reality of the Funtoken Chase
If you listen closely, you can hear it—the sound of Progress City’s heart beating in a rhythmic, capitalist symphony. It’s the click-clack of designer shoes, the ding of stock alerts, and the cha-ching of online shopping. It’s a sweet, sweet tune—until the bill arrives.
The residents here are on a never-ending treadmill, running as fast as they can to get somewhere—only to realize they’re already out of breath, out of time, and out of Funtokens.
Man on the Street Interview: Reporter: "What do you love most about Progress City?" Resident: "The ambition, definitely. We’re all just here trying to make it big." Reporter: "And what’s your goal?" Resident: "I just want enough Funtokens to buy a moment of peace. Or a really, really good nap." Reporter: "So, freedom?" Resident: "Freedom? That’s an upcharge. I’m just aiming for basic peace of mind."
The Progress City Relationship Status: It's Complicated (With Funtokens)
In Progress City, money isn’t just something we use—it’s the thing we have a toxic, co-dependent relationship with. It buys us dinner, but it also ruins our weekends with credit card bills. It helps us feel important, but also reminds us how empty our savings account looks when the rent’s due.
New Ad Campaign: “Funtokens: They don’t buy happiness, but they make misery look so much more comfortable.”
Chris Conidis Content Writer